I’m just getting started on a very exciting project – a residency at BMW Plant Hams Hall in Coleshill as part of Lichfield Festival.
Local schoolchildren and staff from BMW Hams Hall will be joining me to create ‘The Knitted Engine’, a collaborative piece exploring the hidden similarities between engineering and knitting. Traditional knitting and crochet techniques will be used to construct a replica BMW engine – presented as a three-dimensional exploded diagram – in a clash of making cultures.
This is my early (and slightly vague) ‘artist’s impression’ of the finished piece (which, I have to confess was based on elements of a lawnmower engine, rather than a fancy BMW one!).
I’ll be making most of the parts in workshops with the schoolchildren, but I have made a start on my crankshaft, and will add pictures of the work in progress.
The finished piece will first be on display for staff at the BMW plant, and then on show to the public in the South Choir Aisle of Lichfield Cathedral from 11-17 July, as part of the festival. More info here. I’m also running a ‘learn to crochet’ workshop at the festival, details here.
Update: there are 5 posts in total about the Knitted Engine, from initial sketches and workshops to photos of the finished piece. View them all here.
As part of my Keep & Share activities, I run a knitting tent at various summer festivals. We sell Keep & Share knitwear and knitting supplies, and run a free drop-in activity where people can learn to knit and crochet, or just borrow needles and yarn to knit a contribution to a communal knitting project.
I’m currently on the lookout for 4 competent knitters to join our knitting team for Latitude Festival this July (15th-17th). The deal is that you get a free festival ticket in exchange for spending most of your time at the knitting tent teaching people to knit! It’s a fun place to hang out (knitting being such a convivial activity and all) and you get plenty of breaks to run off and see bands etc – plus you have each evening free.
Interested? Please drop me a line at firstname.lastname@example.org, outlining your knitting/crochet abilities (at a minimum, you need to be able to teach knit/purl/cast on/cast off, and any crochet skills are a welcome bonus) and your availability for the festival (ideally, you would arrive at the festival on Thursday afternoon/evening and stay until Sunday night or Monday morning, though there is scope for some flexibility).
You’ll find more info on Latitude Festival, including travel information, here.
Having successfully negotiated the first hurdles of my PhD by passing the PgCert in Research Practice, my next challenge is a meeting on Monday where a faculty panel takes a look at my proposal. Here’s the summary of what I’m aiming to do:
Enabling fashion ownership through material intervention in knitted garments
This research will explore the potential of material intervention to address the personal wellbeing issues of contemporary mass-produced fashion. It employs a central metaphor which treats fashion as a commons, comparing a shared fashion culture with a shared land resource, and draws on the activist repertoire of groups seeking fair access to land along with emergent strategies of design activism.
The motivations for and barriers to individual action will be investigated and tools to support wearers in making knitting-based garment interventions will be developed. While the main focus is an increase in personal ‘fashion wellbeing’, it can be argued that individual making activity would also bring collective sustainability benefits.
Update – the panel approved my proposal with some minor changes to the wording. Hurrah!
This is a piece of work I did in May 2010, inspired by a drop-in workshop I’d done as part of Craftspace’s Craft Collective project (pictures of that in this Flickr set). Having spent a rainy afternoon playing with hand-crochet techniques using barrier tape, I got home to our little village of Lugwardine and saw a telegraph pole cordoned off with just the same stuff. I couldn’t resist…
The idea was to crochet with the materials of the urban (or, in this case, not-so-urban) environment, to reposition a technique that we think we understand in a new context.
It’s taken me a long time to get round to starting this blog, and only time will tell whether I have the self-discipline to keep up to date! The idea of the blog is that I have somewhere to show off the work I’m doing that doesn’t (currently) have a home on the Keep & Share website, and to post details of projects – and my PhD research – as they unfold.
I’ve got lots of projects to write about, from lovely community knitting events that I’ve organised in the last couple of years to new developments hot off the press.
So, lots to catch up on – but I thought I would kick off with a little personal project. My grandad died last December, and when we visited Porthmadog (in North Wales) for his memorial service I spotted a poster about a community knitting project taking place to commemorate the anniversary of the Cob – a sea wall built in 1811 to reclaim farming land from the sea. The idea is to Knit the Cob – a scarf long enough to go right across the Cob. I knitted a panel in memory of grandad…